Working Word King

I don't know their (pictures) actual value, but I usually stay under 1000 (words).
This movie is becoming my life again in a JGL being a crazy and compulsive and nonsensical kind of way and ZD being very different as well also moments of farce.  Actually I guess I’m a different movie.

This movie is becoming my life again in a JGL being a crazy and compulsive and nonsensical kind of way and ZD being very different as well also moments of farce.  Actually I guess I’m a different movie.

(via little-nerdasaurus)

Funky Midnight in Paris

  • Gil: Gil Pender.
  • Ernest Hemingway: Hemingway.
  • Gil: Hemingway?
  • Ernest Hemingway: You liked my book?
  • Gil: Liked? I loved all of your work.
  • Ernest Hemingway: Yes. It was a good book because it was an honest book, and that's what war does to men. And there's nothing fine and noble about dying in the mud unless you die gracefully. And then it's not only noble but brave.
  • -------------------------------------------------------
  • Gil: What is it with this city? I need to write a letter to the Chamber of Commerce.
  • -------------------------------------------------------
  • Ernest Hemingway: No subject is terrible if the story is true, if the prose is clean and honest, and if it affirms courage and grace under pressure.
  • --------------------------------------------------------
  • Paul: Nostalgia is denial - denial of the painful present... the name for this denial is golden age thinking - the erroneous notion that a different time period is better than the one ones living in - its a flaw in the romantic imagination of those people who find it difficult to cope with the present.
  • -------------------------------------------------------
  • Helen: We saw a wonderfully funny American film last night.
  • Inez: Who was in it?
  • Helen: Oh, I don't know. I forget the name.
  • Gil: Wonderful but forgettable. It sounds like a film I've seen. I probably wrote it.
  • --------------------------------------------------------
  • Luis Buñuel: A man in love with a woman from a different era. I see a photograph!
  • Man Ray: I see a film!
  • Gil: I see insurmountable problem!
  • Salvador Dalí: I see rhinoceros!
When I’m freaking out internally.

When I’m freaking out internally.

I like this. 
I like the optimism in this
even if it is veiled in pessimism
or misread as improbable.
Why does forever make something better?
Why do we chase after something eternal?
Why do I ask lame questions?
“I love all the people…”
At least for a little while.

I like this. 

I like the optimism in this

even if it is veiled in pessimism

or misread as improbable.

Why does forever make something better?

Why do we chase after something eternal?

Why do I ask lame questions?

“I love all the people…”

At least for a little while.

(Source: this--too--shall--pass, via little-nerdasaurus)

I don’t see you as a dishonest person.
I don’t.
So if you don’t want to hang out with me
and I should be taking your actions as hints,
I am not good at taking hints.
I am assuming that your only causal foundation
is that you were “busy”
and are indeed “really sorry.”
If not, let me know
so I don’t have to cry.

I don’t see you as a dishonest person.

I don’t.

So if you don’t want to hang out with me

and I should be taking your actions as hints,

I am not good at taking hints.

I am assuming that your only causal foundation

is that you were “busy”

and are indeed “really sorry.”

If not, let me know

so I don’t have to cry.

(Source: naye7)

Yes, nonchalance
in violent protest
of comfort in stupor
is everything to me.
“What does that mean?”
I myself do not know yet,
but it is my visceral reaction.

imagesourceblog:

Client: 125 Magazine. Photographer: Holger Pooten. Fire FX: Carmel. Retouching: Recom Farmhouse.

“We kept putting mannequins on fire until we had enough flames to work  with in post-production in order to retouch them onto the real model” 

Master Retoucher Christoph Bolten talks mannequins, fireballs and 5-meter high collapsing walls…

Yes, nonchalance

in violent protest

of comfort in stupor

is everything to me.

“What does that mean?”

I myself do not know yet,

but it is my visceral reaction.

imagesourceblog:

Client: 125 Magazine. Photographer: Holger Pooten. Fire FX: Carmel. Retouching: Recom Farmhouse.


“We kept putting mannequins on fire until we had enough flames to work with in post-production in order to retouch them onto the real model”


Master Retoucher Christoph Bolten talks mannequins, fireballs and 5-meter high collapsing walls…


policeleak:

#NYPD White Shirt Knocks Out Female #OccupyWallStreet Protester March 10/14/11

(Source: policeleak)

When did people stop being what matters?

occupyus:

More pepper spray today? No info on this photo yet.

When did people stop being what matters?

occupyus:

More pepper spray today? No info on this photo yet.